My practice is rooted in the rigorous study of drawing, where the line becomes a bridge between thought and physical expression. From the intricate symbolism of human gesture to the abstract dynamics of space, my work explores how visual marks capture the essence of presence.
Whether researching the aesthetics of dance or the anatomy of a sketch, I view drawing not just as a technique, but as a continuous inquiry into the nature of form.
Eight industrial sites that shaped twentieth-century Iași — C.E.T. Iași 1962, the Milling Complex 1967, the Ciurea Brick Factory 1891, Unirea Oil, the
There are afternoons that never truly end. They remain somewhere, suspended between what was and what comes next — in the light falling
And perhaps it truly is. For many artists, the studio becomes exactly that—a space where energy is consumed without direction, where days pass
Projects carried out individually as personal exhibitions and projects carried out in collaboration with architecture and interior design companies for the arrangement of office spaces.
Thoughts, experiences and ideas about my projects and the techniques used, presented in images, videos and descriptions in words.
In the Manuscript series, I explore drawing as a form of non-verbal writing. Here, the gesture is disciplined and repetitive, mimicking the flow of ancient scripts to uncover new visual meanings. This work is a meditation on the mark-making process—where the energy of the hand meets the silence of the paper to create a personal calligraphy of form.
In my visual practice, the dance of lines is more than mere movement; it is a profound study of how drawing captures the energy of a moment. This exploration of gesture translates the fluidity of dance into a permanent visual experience. Through each mark on paper, I invite the viewer to witness the intersection of physical rhythm and the contemplative discipline of a visual artist.
